In an era when walls were adorned with calendars of gods and goddesses, my mother and her siblings pasted Madhubala and Dilip Kumar cut outs from painted movie posters in their rooms, an obvious side effect of the fact that my grandfather managed two cinema halls in Darbhanga, and brought home free tickets for his wife and six children. My grandfather was a Meena Kumari admirer and a bitter love-triangle starring Meena Kumari, my grandfather and my grandmother ensued within the house, with my grandmother feeling terribly slighted because no matter how hard she tried, she could not cry as beautifully and tragically as did Meena Kumari. My own mother, who my grandfather named Meena after his wonderful love, looked a little like the actress, but bloated like a pumpkin the moment she cried, and my mother, like her mother, considered her inability to cry beautifully highly tragic. When Ma married and came to Sabaila, a small village on the outskirts of Janakpur, ...